For sound engineers & production
Everything on stage runs into our own Behringer X18 and our own split. One leg of that split feeds the X18, which we use to mix our in-ears. The other leg passes straight through to front of house as individual channels — so you get clean, isolated inputs and never have to worry about our monitoring.
Nothing of ours goes direct to your desk. It all arrives via our split. The only channels you provide are the drum mics.
Fifteen inputs in total — eight from our split, seven for the drums. Patch them wherever suits your desk.
| Source | Player | Connection | Supplied by |
|---|---|---|---|
| From our stage split | |||
| Lead vocal | James | XLR, via TC Electronic vocal processor | Band |
| Guitar | James | DI — Neural DSP Quad Cortex mono | Band |
| Guitar | Rob | DI — Boss GT-1000 mono | Band |
| Bass | Ross | DI mono | Band |
| Keys L | Ross | DI stereo pair | Band |
| Keys R | Ross | DI stereo pair | Band |
| Vocal | Ross | XLR | Band |
| Vocal | Glenn | XLR | Band |
| Drum kit — your mics, straight to your desk | |||
| Kick | Glenn | Mic | Venue |
| Snare | Glenn | Mic | Venue |
| Hi-hat | Glenn | Mic | Venue |
| Tom 1 | Glenn | Mic | Venue |
| Tom 2 | Glenn | Mic | Venue |
| Overhead L | Glenn | Mic | Venue |
| Overhead R | Glenn | Mic | Venue |
Viewed from the audience. Stage left / right are from the band's perspective.
Band supplied Venue supplied
If anything here doesn't fit your room, tell us early and we'll work around it — we've played everything from festival stages to tight club corners.